This initiative also offers songwriters a new way to share their work on Spotify and get discovered by potential collaborators and fans.
As the program expands it will help support both up-and-coming and established writers.
Jules Parker, Spotify’s Head of Songwriter and Publishing Relations, is heading up a new team across Los Angeles, New York, Atlanta, and London focused on expanding our support of songwriters and publishers all over the world. A former songwriter as well as the owner of a songwriter and artist management company, Jules not only understands the tools used in music creation, but he also appreciates the difficulty of the job—and why it’s so important to recognize the work put in behind the scenes.
We spoke to Jules about his team’s work. Read on to learn more about the world of music publishing and how Spotify’s new songwriter pages are helping connect songwriters, publishers, artists, and fans.
Say you’re a songwriter who’s penned a tune and needs someone to sing it. What’s the process for approaching an artist or getting one to find you, and how does Spotify play into that?
There’s a long-standing perception of a solo songwriter pitching their songs to other people. This can happen—and of course, many artists write and record their own songs—but the reality today is that you generally get in a room with an artist and write a song together, then and there. (Or alternatively, you’ll swap tracks and toplines over email and write the song virtually—all too common these days). So it’s all about networking and collaborating—and that’s where publishers come in. A publisher looks to connect artists with songwriters and other creative opportunities. Plus, these days there are even more opportunities for songwriters to transition to also be successful recording artists—like Julia Michaels, Benny Blanco, and more.
At Spotify, we’re now giving publishers and writers more ways to help unlock opportunities via analytic and songwriter tools. These will, long term, help support both up-and-coming and established writers because they’ll have more information, leading to better connections and networks. Through our Publishing Analytics, publishers and teams can access next-day song and writer stats based on accurate data, and through our songwriting camps and free-to-use studio spaces, writers and artists can pair up to create something new.
Can you tell us a little more about the tools and opportunities Spotify has for songwriters and publishers?
First, we created a home for songwriters with the songwriter page on Spotify. It’s a pilot program—just the start of how we can help songwriters further build their identity and showcase what they’ve done. We’ve also created Written By playlists, which are featured on these pages. We’re working on rolling them out to more and more writers—and just unveiled some new ones today—but they’re a great way for fans to get to know the work of a specific songwriter.
We’ve also been hosting songwriting camps for artists around playlists, genres, or specific artist projects. We’ve done ones around Who We Be, The Most Beautiful Songs in the World, and Butter. Through these camps, we’re providing the opportunity for collaboration in creating great songs that may appear on our flagship playlists or perhaps earn a Grammy nomination. (Here’s looking at Grammy-winning “a lot” by 21 Savage, which was created at a Spotify songwriting camp run by our Atlanta-based Head of Songwriter Relations Paris Kirk).
Finally, we have writing studios that songwriters or publishers can book in Los Angeles, Atlanta, Nashville, Toronto, and London free of charge. We invite songwriters to use these as a place to collaborate and create songs. We’re constantly evolving this project and expanding access to it, and we hope to set up new locations in the future.
Read the full interview here.