Find tour dates and live music events for all your favorite bands and artists in your city! Get concert tickets, news and more!

  • Analytics
  • Tour Dates

Freemium Model Works For Pandora But Is Devastating To Songwriters


(Hypebot) – Although Pandora's CEO Brian McAndrews recently boasted of the success of their free music streaming service, claiming that Americans are unwilling to pay for streaming, a breakdown of their revenue model shows that Pandora's system is detrimental to songwriters, says the head of the NMPA.


Guest Post by David Israelite of the National Music Publishers Association


In his editorial in Billboard on Wednesday, Pandora CEO Brian McAndrews writes that this is a transformative period in the music industry. On this we agree. Unfortunately Pandora is transforming the industry into a place where songwriters have no say in how their work is given away, and can barely make a living, all while the streaming giant touts the benefits of giving their music out for free.


Pandora argues that “all evidence indicates that the overwhelming majority of Americans cannot, or will not, pay a monthly subscription fee.” Perhaps one of the reasons many Americans do not pay for music is because Pandora has told them they no longer need to, since Pandora expects songwriters to subsidize its business by paying them almost nothing – and fighting to pay them even less.


How egregious are Pandora’s payments to songwriters? Pandora is proud to point out that they have paid out $1.5 billion in royalties, but what it doesn’t disclose is that only a tiny fraction of that went to the songwriters who made their business possible. Today, while record labels and artists receive around 42% of Pandora’s revenue, songwriters and music publishers get only around 4%. Let that sink in.


Pandora is keeping 54% of its revenue, and sharing only around 4% with the creators who write the songs. That means Pandora believes that delivering songs over an Internet connection is somehow worth more than 13 times the songs themselves. There is no news, no sports, no weather, no comedy – only music. Yet the music creators get less than 5% of the revenue generated from the service.


It is a bold statement for a technology company to tell songwriters that what it is doing with the songwriters’ intellectual property is “good for them” while the songwriters vehemently disagree. Perhaps it should be up to the people who create the music to decide whether giving it away for free is the way of the future. Taylor Swift didn’t think so – which is why she pulled her music from Spotify. But because of how music is regulated by the federal government, Taylor Swift does not have any choice whether her music is given away on Pandora for free.


Ultimately, Pandora is correct that the Internet has opened up incredible opportunity for digital music platforms that enhance the industry for artists, songwriters and listeners. However, its defense of their "freemium" model leaves out the fact that it is devastating the songwriting community, which never consented in the first place.


There is a place for ad-supported streaming, subscriptions and other types of monetized music listening, but users should know the facts before listening to Pandora’s spins.


David Israelite is the President and CEO of the National Music Publishers’ Association (NMPA).